Based on the novel by Tom Perrotta, this is a skillfully woven tale of suburban angst that retains a very novelistic feel. An excellent case study in how to make voiceover work for and not against your script.
This is arguably a better script than the one McCarthy won the best screenplay Oscar for: Spotlight. Beautifully tight and sparse writing about a lonely professor learning to loosen up after discovering a couple of illegal immigrants living in his New York apartment.
Written on spec by writing team Lucas and Moore (Four Christmases, Ghosts Of Girlfriends Past), this script is a near-perfect execution of a very high concept. Along with (500) Days of Summer, this is probably the best screenplay to come out in 2009.
Johnson has said of writing the script he wanted it to be character based rather than focus on the mechanics of time-travel. He drew inspiration from movies such as The Terminator, 12 Monkeys, and Witness. One of the best screenplays to read if you love mixing sci-fi with ironic humor and time-travel.
The Wachowskis pitched the script to Warner Bros. who were initially skeptical of its philosophical musings and tricky SFX for the time. They then decided to bring on board underground comic book artists Steve Skroce and Geof Darrow to storyboard the entire film, shot-by-shot. Warners were impressed and the rest, as they say, is history.
Three of the best script writers in Hollywood collaborated for this modern classic. Beattie originally had the idea for the movie aged seventeen while riding in the back of a cab in his native Sydney. He then worked up a two-page treatment called The Last Domino, which he turned into a screenplay. Later he was lucky enough to be put in touch with Darabont and then Mann who both contributed revisions.
Many of the tropes have been copied almost to the point of cliche by a generation of later writers. But this script was groundbreaking for its time and is impossible to ignore if you want to learn how to become a screenwriter.
The origins of this spec screenplay are just as creepy as the film. As Reddick recounts, he was given the idea by a real-life story of a woman whose life was saved by her mom who warned her not to take a flight that wound up crashing. Reddick then wrote the script as an X-Files spec but was advised by a friend to reshape it into a feature.
This script was born purely out of budgetary restrictions as writers Whannell and Wan deliberately wanted to write a horror film as cheaply as possible. One that they could finance themselves. Inspired by low-budget movies such as Pi and The Blair Witch Project, they decided on the concept of two actors, one room, and one dead body. Easily one of the best screenplays to read for horror writers.
BONUS SCREENPLAYS TO READ: You can download five more of the best screenplays to read in each genre in this post. Read as many movie scripts as you can and watch your screenwriting ability soar.
Thank you for this amazing app.Through it I have read few great screenplays.I hope you can be able to find me, get me., or refer me to a holliwood script agent or manager to represent and sell my movie screenplays to holliwood producers and studios.
Actor background .feature film. . need. Me for feature film. Episodic. .or work actor related contact me #414-737-6180. Verdugomarceloalejandro2280@Gmail.comLike to work with you. And or post me some scripts.
Fantastic effort providing this shopping list of essential scripts for the aspiring. Having trouble finding the script for City of Women (citta delle donne) anywhere online.Any assistance is appreciated.
THANK YOU SO MUCH! I was looking for a PDF of the script for The Others and found your page. Reading the titles of the scripts you have culled here made my heart sing with the love of cinema that started my long journey into the film biz. Recently I have been pessimistic and disheartened about the lack of quality films coming out these days. But looking at these titles made me feel totally invigorated and optimistic.
Great resource, but sadly no musical genre section, *sniff. If anyone has the script for the musical film CHICAGO (not the stage musical), then I would be eternally grateful if you could please forward! Email: firstname.lastname@example.org
Hi script read pro!I hope you are haveng a great timeI wanted to thank you for sharing this with others and solving the problem of writing a script.If its not too much trouble I would like to ask you some script questions in private.ThanksHanieh
Hi, I really need Stonewall movie script. Can you help me how to get that I am having difficult where I can get that. I am gona make analyze about that film as my rules to graduate at mu school. You can email me email@example.com
Go Into the Story is the official blog for The Blacklist, the screenwriting community famous for its annual top ten list of unproduced scripts. One useful feature of Go Into the Story is its bank of downloadable movie scripts.
The titular Drew has been sharing scripts with curious readers and writers for almost two decades now, and has a vast library from which to choose from. A great benefit of Script-O-Rama is that it holds several drafts of certain movies, an invaluable resource for those who want to see how a Hollywood film evolves in the writing process.
The Maya writing system is considered by archaeologists to be the mostsophisticated system ever developed in Mesoamerica. The Maya wrote using 800 individual signs or glyphs, paired in columns that read together from left to right and top to bottom. Maya glyphs represented words or syllables that could be combined to form any word or concept in the Mayan language, including numbers, time periods, royal names, titles, dynastic events, and the names of gods, scribes, sculptors, objects, buildings, places, and food. Hieroglyphic inscriptions were either carved in stone and wood on Maya monuments and architecture, or painted on paper, plaster walls and pottery.Glyphs representing, from left to right, the sky, an ahau (king), a house, a child, and the city of Palenque.The unit of the Maya writing system is the glyphic cartouche, which is equivalent to the words and sentences of a modern language. Maya cartouches included at least three or four glyphs and as many as fifty. Each cartouche contained various glyphs, as well as prefixes and suffixes. There is no Maya alphabet.Maya writing is difficult to interpret for a number of reasons. First, glyphs do not represent just sounds or ideas, they can represent both, making it difficult to know how each glyph or cartouche should be read. In addition, many Maya glyphs can have more than one meaning, and many Maya concepts can be written in more than one way. Numbers, for example, can be written with Maya numerical symbols or with the picture of a god associated with that number, or a combination of the two. Some glyphs represent more than one phonetic sound, while also representing an idea. This means that a single idea can be written in many different ways. For example, the name of the Palenque ruler, Pacal, whose name literally means \"Hand-shield\", appears sometimes as a picture of a hand-shield, sometimes phonetically as pa-cal-la, and at other times as a combination of picture symbols and phonetics. Deciphering Maya texts has become easier with the aid of computers, drawings and the knowledge accumulated over a century of scientific investigation. The hieroglyphic writing of the Maya has not been completely deciphered, however, and can still only be interpreted, rather than read. To date nearly 85 percent of known Maya hieroglyphics have been decoded.The Maya considered writing to be a sacred gift from the gods. Most ancient Maya could not read, because the knowledge of reading and writing was jealously guarded by a small elite class, who believed that they alone could interact directly with the gods and mediate between the gods and the common people.Detail from the Tablet of the 96 Glyphs, in the tower of the \"Palace\" at Palenque. This is considered one of the most beautiful inscriptions ever carved by the Maya.From the very beginning, the Maya used writing as a propaganda tool, rather than as a means of recording accurate details of history. In a hierarchical society where the elite competed for prestige and leadership positions, writing was used to reinforce a ruler's military power and to legitimize his descent from noble ancestors and the gods. Writings on stone monuments were designed to place rulers in the most favourable light possible, and ancient sculptural inscriptions deal primarily with historical events, marriages, births, military campaigns and victories, rulers and other dynastic affairs.Maya glyphs were also painted on codices made of either deer hide or bleached fig-tree paper that was then covered with a thin layer of plaster and folded accordion-style. The inscriptions in the codices were painted by highly trained scribes, and record rituals, chronologies and important events. Most of the Maya codices were burned by the Spanish during the sixteenth century when they tried to convert the Maya to Christianity. The few codices which have survived, however, are a valuable source of information about the religious beliefs of the Maya and their ritual cycle, and record information about the gods associated with each day in the Maya calendar as well as astronomical tables outlining the cycles of Venus and other celestial bodies.In a re-enactment for the IMAX film, a scribe of the Classic Period, seated in a temple at Yaxchilán, uses a porcupine quill brush to record astronomical information into a codex.Following the arrival of the Spanish in the sixteenth century, many Maya dictionaries, glossaries and prayer books appeared. These are an important resource in the interpretation of Maya hieroglyphics. The Maya also learned in the sixteenth century to record their own languages using Roman letters, and later Maya works do not feature hieroglyph